STAR WARS- #THEFORCEAWAKENS | ILMFX- Visual effects is also part of the emotional visual storytelling…

“LUCAS FILMS – ILMFX” have always been one of the few leaders in development of crafting special visual effects, from the very ground up in when their awarding winning hallmark benchmark is experimentation’s with “Star Wars” in when development the visual component of storytelling of capturing us in that story world of immersion beside in musical score that brings out the emotional voice of the words that lies within the pages of storyboard screenplay..

In this feature it demonstrates that storytelling in visually in the recent trilogic saga of Star Wars of “The Force Awakens” having taking notes from the very ground up, breaking bounds of going back to that 1975 beginnings in relearning of creating with today’s, graphically visual technologies in creating layering of various layering of animations in post-production taking from the green/blue screen footage in combining with collaboration partners Hybride, Base FX and Virtuos.  Those footage scenes at ILM Studios in San Francisco, Singapore, Vancouver to London… likes of the battled savage lands of Jakku to planet size Death Star- Star Killer..

 

GAME OF THRONES- RodeoFX | Season six- VI- 六- Visual Effects breakdown…

 

 

As we left off from season six of “Game of Thrones” we see the collaboration in alliance with Daenery Targaryen in taking off with her great assemble fleet of ships from the ports of Essos heading directly to the already dysfunctional Lannister’s household rule Kingslanding, in which is now ruled by now Queen Cersei Lannister whom have become cold, as seen through her brothers eyes Jamie… in wondering if he still retains that blooded stained tittle King slayer….

In this we see in collaboration with “Rhythm and Hues” and” RodeoFX” tirednessly in producing post production work in storytelling recreating visually of George RR. Martin written works into HBO’s … In this we see the critical points of the story in the battlements of Mereen… Also among as the intro with the many faces illustrates the many key characters of the story, in which a place Arya Stark finding herself with a seclude group of assassins..  As part of the post production of using the raw live shooting of the production with the carefully co-ordinated placed position of the Green screen during the production only to be filled in bringing out the flesh of the story of using various layers compositions of computer Generated graphics in bring the words of the scene visually in which RodeoFX has done over 150 VFX shootings for eight episodes in the highest movie cinematic quality of work in entrenching you that world with a two VFX groups over in a tight production schedule… should be interesting to see what they bring for season seven..

STAR WARS | the force awakens -escaping Planet Jakku… a visual effects breakdown…..

 

As we build up for the ninth episode movie in “Star War” after we was left off in Rey finding self-exiling Jedi Master Luke Skywalker- whom founded, the new order of the Jedi order after it was crushed by the Dark side of his nephew Ben Solo- Kylo Ren son of Princess-General Leia Skywalker and General Han Solo of the rebellion that happen now thirty years ago as we explore the aftermath of the fall of the Galactic Empire of that on a new story thirty years later on Jakku where we met Rey- Daisy Ridley ….

Star Wars have always been on the cutting edge of innovative creative on leading for intensive immersive visual effects has it started of using creatively of blue screen with highly detail actuated crafted models to tell various elements of the story …. As to this scene here is where Rey, Finn and BB-8 fled the Planet Jakku in a newly acquired Millennium Falcon after their first option of transport was destroyed…

The various visual breakdowns from this scene was produced by in IMAX filming, while the physical production was done in Abu Dhabi- UAE, with the first scene shots of the explosions, with green screen elements then later filled in with massive immersive CGI and digital matted paintings in digital marked out has the following chased sequences are framed then flesh out. As the visual effects applied in sequences by sequence as the Millennium Falcon trying to elude intelligently, escape from a squadron of Tie fighters…

TAYLOR SWIFT | Bad Blood – an awesome Tron martial arts like Visual Breakdown…..

 

In this we see how “Taylor swift’s Bad Blood”   we see the visual break of how her music Video is constructed…  also inventive work of “Ingenuity studios, Taylor Swift also Joseph Khan on Blank Space” also whom done creative works ranging for Television, film, advertising and other various media like the visual effects to the Darker version of Power Rangers as one by one are eliminated in an ongoing war.    In “ Taylor Swift’s Bad Blood”, lot of physical sets, using a combinations of green blue screen with digital storyline sets composite to tell a story of an between rivalry  like in Louis Chas’s Return of the Condor Heroes two sisterly characters like Xiao Longnu’s – Taylor Swift- Catastrophe and Li Mochou-Selena Gomez- Arsyn

 

There were awesome movie numerous theme scenes, in which there was one level green screen like the matrix like office fight off with the office window greened out then later imposed with a London background… Also there was another interesting composition of where The Trinity’s head gear visual digitally superimpose akin to that famous Tron like bike race where using real bikes, then digital composing onto the real scene of a secret training organisation with Taylor –Catastrophe  and  her friends in preparation for what’s come in that explosive confrontation.. also Taylor’s Bad Blood could make a serious awesome movie…… !!

DOCTOR WHO- Milk- VFX | behind the scenes- 50TH Anniversary Day of the Doctor breakdown…?

During the year of 2013 on the 23rd of November, in coming up the Christmas Special of “Doctor Who”  ,” The Day of the Doctor” in where in London National Gallery… where this painting  where it’s too much deem too much for Public Consumption.. As it dates back to the time of Elisabeth Royal the first where in a time somewhere in the constellation of Kasterborous, a constant war is happening till the end of time till Gallifery’s destruction by the Daleks… As also another war Zygons invasion is looming is on earth in relates to the same painting in UNIT’S Tower of London…

In this episode we get to see the two Doctors (Matt Smith’s & David Tenant’s) and one War Doctor ( John Hurt), solve the age old problem is to interpret the “ No More, Gallifrey falls”  in this we see themselves solving how to save Gallifrey in its final destruction moment with the wise Companion Clara Oswald to keep them grounded..

BBC- Doctor Who- THE DAY OF THE DOCTOR- by Milk Visual Effect Company

With this in mind to”Milk- VFX” produces to tell the story in in the pinnacle in creating the Special effects throughout the..  Using intense matte Background design prescribe with the scenes with the add either using from green screen then later composition into multiple digitally layering components that makes up that required scene, thoughout the from the Painting, in a devastating attack on Gallifrey from the battle worn streets of Arcadia to the breached shielding of the Citadel with the firing poundings from the all Dalek fleet can muster.. As the Warlords Gallifreyan Citadel war room is under constant Dalek pounding firing …

Then to the three in between with that Barn in which the young youthful years that The Doctor Slept in with that Portal showing up in between bound to be stopped Zygons occupied Royal Elizabethan Earth… with the Zygons in operations of Multiplications, and teleportation in from the Paintings to the Real world… with The Thirteen Hero TARDIS in the vortex in the same time, to create a void bubble to Jump Gallifrey in the storyline …